Digitally designed scene collaged from 18th century French interior prints, old electrical circuit diagrams and antique machine parts. Manifested via a 3 dimensional 'Z-print' plaster printer and Epson Untrachrome archival cotton rag prints. Housed in a diorama cabinet of Tasmanian Oak with extruded American Oak moldings, finished with French polish, designed and crafted by Lindon Davey-Milne, with an antique lens that projects the interior back out into the space. Soundtrack composed of manipulated voices, jackhammers, and Terry McDermott's SuperCollider harpsichord.